Operation Fortune: Ruse De Guerre Movie Review: A Limp Ruse
© Presented at NoonMovie: Operation Fortune, Russia's War
Starring: Jason Statham, Hugh Grant, Aubrey Plaza, Cary Elwes, Bugsy Malone, Josh Hartnett
Director: Guy Ritchie
Review:**
Duration: 114 minutes
Guy Ritchie seems to have lost his charm in this international spy hat with no balloons. Attractive international locations such as Madrid, Morocco and Cannes could be real challenges if there were enough entertainment to seek out weapons of global destruction. But it shouldn't be like that. It's basically a recycled gimmick from Jason Statham, who is reprising his role in a Guy Ritchie film for the fourth time.
Suffering from various phobias, Orson Fortune (Statham) is the most wanted agent of the British government, played by Nathan (Cary Elwes). When Orson finally appears, all we see is a concise action figure without the aforementioned phobias. Orson's task is to find a stolen bag with a mysterious item to sell on the black market. The contents of the bag are unknown, but all participants believe that it is so dangerous that it could threaten the world if it falls into the wrong hands.
Orson's team includes JJ Davis (Boogie Malone), a GPS expert and backup sniper, and Sara Fidel (Aubrey Plaza), a computer expert who can hack anything. They enlist movie star Danny Francesco (Josh Hartnett) to infiltrate an elite group organized by billionaire George Simmons (Hugh Grant). Essentially, this is when the passive attraction of intelligence becomes a little more attractive by now. Hartnett, returning to the big screen after a long hiatus, is a feast for the eyes. His presence breathes life into this dead escape and makes it tolerable.
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Guy Ritchie's storytelling style doesn't seem as sharp and bold as it used to be. He continues to disrupt the structure with improvised narratives, but the frequency and urgency are reduced, and the absurdist wit and signature comedic elements are absent. The characters seem flawed and the action tends to be verbose and superficial rather than explosive. Attempts to decorate it with combat choreography did not gain popularity. All this does not sound sharp and funny. Dialogues are very boring. There is no real flow of energy in the process. The screenplay by Richie, Evan Atkinson and Maron Davies is nothing new. The parody elements are also not broad enough for parody. It seems like a futile task.
